Welcome to Following the Whispers blog

Thank you so much for taking the time to visit. Hope you enjoy your stay. I blog here whenever I feel the need. This blog was created at the time my memoir came out, in February, 2009. Its motto was: creating a life of inner peace and self-acceptance from the depths of despair. Now, my focus is sharing this journey we call life.

“Only one thing is more frightening than speaking your truth, and that is not speaking it.” Naomi Wolf

“We are called human beings, not human doings.” Wes Nisker, Buddhist teacher

“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs…(And) if he fails, at least fails while daring greatly.” Theodore Roosevelt

Monday, May 6, 2013

Monday Musings: Adverbs and Cliches

Too many adverbs and clichés in your writing? I've got just the fix for you.
by Jessica Bell

Writers constantly have rules thrown at them left, right, and center. Show, don’t tell! Stop using so many dialogue tags! More sensory detail! More tension! Speed up the pace! Yada yada yada ... it can become overwhelming, yes? I used to feel overwhelmed by it all too. In fact, I still do sometimes. It’s hard enough to get the words on the page, let alone consider how to put them there.

In Anne Lamott’s Bird by Bird, she says that in order not to be overwhelmed, a writer needs to focus on short assignments. She refers to the one-inch picture frame on her desk and how that little picture frame reminds her to focus on bite-sized pieces of the whole story. Basically, if you focus on one small thing at a time, the story will eventually come together to create a whole. I believe the same applies to learning the craft of writing. If writers focus on one aspect of the craft at a time, the process will seem less daunting and piece by piece it will come together.

My name’s Jessica Bell, and my own struggles with feeling overwhelmed inspired me to write the Writing in a Nutshell Series of pocket-sized writing guides. So you can learn to hone your craft in bite-sized, manageable pieces. In the first book of the series, I focused on demonstrating how to transition “telling” into “showing.” In Adverbs & Clichés in a Nutshell: Demonstrated Subversions of Adverbs & Clichés into Gourmet Imagery, I deal with another of the most common criticisms aspiring writers face: to absolutely avoid adverbs and clichés like the plague. But see, right now, I just used one of each. I also used a couple in the first two paragraphs of this post because they come naturally, and we utilize them frequently in everyday speech. But in fiction, too many adverbs and clichés weaken your prose. It’s considered “lazy writing,” because it means we don’t have to show what’s happening.

If your manuscript has too many adverbs and clichés, it most likely means that the emotion you felt while writing it is not going to translate to the reader in the same way. So how exactly can we approach the subversion of adverbs and clichés? For starters, play around with simile and metaphor when you’re trying to convey emotion, and for action, use strong verbs to show it happening in real time.

The key? Think smaller details rather than the bigger picture.

Need some help and inspiration?

In Adverbs & Clichés in a Nutshell: Demonstrated Subversions of Adverbs & Clichés into Gourmet Imagery, you will find thirty-four examples of prose which clearly demonstrate how to turn those pesky adverbs and clichés into vivid and unique imagery. Dispersed throughout are blank pages to craft your own unique examples. Extra writing prompts are also provided at the back of the book.
“Jessica Bell's latest pocket guide, Adverbs & Clichés in a Nutshell, will inspire you to leave bland behind and pursue your creative best. With force and clarity, she demonstrates how adverbs and clichés hobble vibrant writing. She then marks a course toward unique expression and provides workouts that will help writers at every level develop a distinctive voice.” ~Laurel Garver, freelance editor, author of Never Gone and Muddy-Fingered Midnights
Purchase links:
Amazon US | Amazon UK | Amazon Ca | Kobo


Bio: The Australian-native contemporary fiction author and poet, Jessica Bell, also makes a living as an editor and writer for global ELT publishers (English Language Teaching), such as Pearson Education, HarperCollins, Macmillan Education, Education First and Cengage Learning.

She is the co-publishing editor of Vine Leaves Literary Journal, and the director of the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca.

For more information about Jessica please visit:
Website | Blog | Twitter | Facebook



10 comments:

YVONNE LEWIS: said...

Excellent post, really enjoyed the read.Seems like a good book.

Yvonne.

Elizabeth Spann Craig/Riley Adams said...

I love "Bird by Bird" and you've picked the best tip from the book...keep it small. That also works for so many other things in life!

Karen Walker said...

Just want to clarify, in case you missed the small print, this post was written by Jessica Bell, the author of the book.
karen

L.G. Smith said...

Yeah, been seeing this around. Good stuff. :)

L. Diane Wolfe said...

I need to pick up Jessica's book.

Alex J. Cavanaugh said...

Jessica's series is just awesome!

Karen Walker said...

Yup, it is - and I need it now that I've finished my first draft. Just downloaded this one and will read both this and the Show and Tell one.
Karen

Jessica Bell said...

Thank you so much for having me today, Karen!

PS: got your Indiestuctible post. Will read it tomorrow when I'm back at my desk! I'm sure it's wonderful ... <3

Robin said...

Think small. This makes so much sense.

Should I decide to pull that novel out of the drawer...

Susan Flett Swiderski said...

I loved the "show vs. tell" book, and am sure I'll love this one, too.